January 2008 SketchCrawl!

Last weekend was the 17th WorldWide SketchCrawl. The Nice chapter was formed by myself, Carlos & Sebastian from the art dept. on 'A Monster In Paris'. Carlos & I spent the day in picturesque village perché St.Paul de Vence while Seb headed out to medieval fortress town Entrevaux.


I kicked off with a study of the narrow streets that give St Paul such character.

The guitarist in the photo above showed up as I was drawing & I couldn't resist switching to another page to quickly capture him. Whenever kids came by with their parents he would put on a red clown nose & dazzle them with his kazoo skills!

Rodin's 'Thinker' contemplates the great view from the town walls, while Carlos draws on.

Here is Carlos sitting dangerously close to a fast game of pétanques.

Some gestures & poses of the old boys playing pétanques.


A local lady stopped as she saw me painting the water-colour above & asked me if I'd make one of the facade of her shop. She led me by the arm around the corner to show me her antiques shop & I was happy to accept the commission. I made a quick pencil rough for her approval then over the next couple nights worked up the painting below from photographs.

Our first SketchCrawl was a great day out in surroundings that beg to be drawn. All the drawings from the group can be viewed on the SketchCrawl forum.

Alfred Janniot

Not long after moving to Nice I discovered the huge war memorial over-looking the port, a mighty impressive edifice indeed.
A section of it has some really dynamic art-deco relief sculpture & I made this drawing above from it.



Then in October the Musée des Beaux Arts staged a tribute exhibition to sculptor Alfred Janniot. I learnt that he was responsible for the war memorial & another of Nice's prominent public sculptures the 'Fontain du Soleil'. In fact he was France's preminent sculptor during the 1930s.



There were dozens of examples of his work on show; sculptures, maquettes, preparatory sketches, an enormous carpet with art-deco style weavings. He did the facade for the Rockefeller centre, NYC & even designed decor for sea-liners.










It also dawned on me that I had encountered his work previously in Paris without realising. The frieze sculptures adorning the Palais de Tokyo were his.

These days they're encroached upon by graffiti art displays but it makes for an interesting juxtaposition n'est ce pas?

HAPPY NEW YEAR!

Storyboarding full time means I don't get the chance to design characters so often but challenges like the 'Gum Or Mints' blog kept me doodling in my spare time. Above is a montage of characters I created over the past year, some professional most just for fun. My resolution for 2008 is to do more-

Joyeux Noel!

Happy holidays everyone, see you in 2008.

Hairy Norse Noses

While in Paris last wekend I saw 'BEOWULF' projected in 3-D IMAX. The film left me pondering many questions, the most profound of which was- what is with those hairy noses! The 3-D effect is dazzling & had us seduced by a golden she-demon & attacked by a golden dragon but I was distracted by the beautifully back-lit golden nasal fuzz that Beowulf & his cohorts sport (the Queen character has it too!)
Maybe it was the large screen format that emphasised these details & not so noticeable on regular cinema screens?

What's worse than the nose hair are the EYES. Most of the time the characters look drunk, blind or boss-eyed. They seem to have no focus, like they're always looking in the wrong direction or staring blankly into space. The expressionless faces don't help either. There are strong vocal performances that just aren't reflected in the faces of the characters. This is the root of the much derided 'zombie' look of these mo-cap films. There are occasions where the expressions are pushed & the eyes are focused & it works much better. Perhaps Zemeckis & his 'ImageMovers' have realised this at last, employing Jim Carrey on his next mo-cap picture 'A Christmas Carol'.

Hopefully they'll get some Dickensian caricature into the design & go broader with the acting & expressions? The most convincing character for me was Grendel's mother, but perhaps that was because I wasn't looking at the eyes?


The design of Beowulf could have been more stylish-maybe more like Frank Frazetta than Boris Vallejo. The design of Grendel is just plain ugly-but I suppose that's the point! The detailing on his skin is technically impressive but when it's right in your face in 3-D is just repellant. Crispin Glover's tortured performance makes this character.

The 3-D effect is compelling but still used as a gimmick-lots of spear pointing & things falling towards camera. I've seen the film criticized for its hugely unrealistic camera moves-mile long pull-backs, vertiginous dives & swoops aping Peter Jackson's style somewhat. But why not? Why be restricted to the limits of a physical camera? This technology seems to have allowed Zemeckis to be free & really have fun. Maybe it's a new cinematic language that we must get used to?


It got me thinking how great other films would look in this format-George Lucas is already working on a new 3-D incarnation of the Star Wars movies-the Lord of the Rings trilogy would benefit too. In the future it will be interesting to see how other film-makers deal with it-Tim Burton's 'Alice In Wonderland', James Cameron's 'Avatar' & Spielberg & Jackson's 'Tintin'.
Also, CG films with classic character animation will look terrific-Dreamworks have a 3-D 'Monsters vs. Aliens' lined up & I hope Pixar follow suit.

From Superman to Chat du Rabbin

Earlier in the week I saw this exhibition at the Musée d’art et d’histoire du Judaïsme in Paris. It traces the history of the comic book medium through the influence & experience of Jewish culture during the last century. From Milt Gross & Al Capp to Joann Sfarr via Kirby, Eisner, Kurtzman & of course Art Speigelman's 'MAUS'.






The exhibition is thoughtfully laid out with countless fascinating examples on show; vintage Kirby Fantastic 4 comics, original Eisner pencil roughs, early Milt Gross funnies, Joe Kubert rough sketches, Kurtzman's MAD covers, Pratt colour sketches of Corto Maltese. Of particular interest was a series of roughs by Joann Sfarr demonstrating how he lays out a page.





I had no idea of the extent of the influence of Jewish experience on the comic book medium. In the early 20th century the cartoon 'funny pages' reflected the day to day struggle of Jewish immigrants adapting to life in America. Then came WW11 and the second half of the century gave rise to much more serious comic books tackling the holocaust & anti-semitism.


I learnt a lot from this show; it portrays the comic medium as a profound means of expression where Jewish comic creators such as Will Eisner could not only flourish professionally but also find an outlet to create a new identity for their uprooted & abused culture.

The exhibition runs through the end of January.

Recent sketchbook drawings

The studio is situated right above the main pedestrianised shopping street of Nice. This means that our ears are assaulted daily by buskers singing the same song every day. It's like Groundhog Day!



Rapid sketches made around town.



Street performer tap-dancing in Nice.




Views of Bastille & Notre Dame from a couple of recent trips to Paris.




Vanessa Paradis & Matthieu 'M' Chedid will be responsible for the music & songs in 'Un Monstre a Paris'. They recently performed in Nice as part of the tour to promote Paradis' latest album so we went along to see them in action.



Seeing them together on stage proved helpful reference for similar scenes in the film where their characters duet together.



A regular night out with the Nice Ukelele Club!


Got caught short without my sketchbook at a café recently so resorted to sketching on the back of a receipt.



On a drive through Provence earlier in the year my camera batteries died so I made some thumbnail sketches back at home to help me remember some of the interesting views we saw along the way.

Bellissimo!

Last week my girlfriend & I took a drive across the border into Northern Italy. We visited Milan & the region around Lake Como.

These are sketches made around the magnificent Duomo & the piazza.


Here are a few shots I took around central Milan. I liked the vibrancy of the city mixed with old world elegance. Impressive architecture & as a capital of fashion there were many well dressed, chic looking Italians walking around.





Caught the David Lachapelle retrospective at the Palazzo Reale.

I've been a fan of Lachapelle's work since the mid-nineties when I first saw his incredible surreal pop-kitsch fashion photography. I love the garish colours & plastic textures in his shots & the bizarre compositions he sets up.

His latest work re-inteprets the Biblical deluge as a critique of the decline of values in modern consumer culture & our increasing dependance on material goods.





A couple years ago he designed eye-catching window displays for Selfridges deptartment store in London (above) & was of course responsible for the astonishing documentary film 'RIZE' about LA dance craze-krumping.



At Lake Como we visited the idyllic Villa Balbianello on the Western side of the lake opposite Bellagio.


It has been used as a location in films such as Ocean's 12, Casino Royale & Star Wars: Episode 2.

This image I found online shows how ILM artists digitally extended the villa for Star Wars.