Wednesday, June 29, 2011

Fun stuff from Gesture Class

1 Quick 30 second warm ups with Karate guy!

2 Alex had me switch to left handed drawing to try and break out of relying on drawing crutches, habits and tricks.

3  A couple more left-handed sketches with digital corrections

4 Another class with 2 models gave us a chance to play around with a couple of familiar characters!

5 Never drawn these guys before so they're somewhat off model.

6 This model came dressed as a gangster so our work was almost done for us-

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9 These were all inspired by the same male model-spot the movie reference bottom left?

10 Final bunch, again all made from the same male model. 1 minute poses.

Thursday, June 16, 2011

The Monstre is coming . . . NEW CLIP!

A sequence I boarded from the film was just released online as a pop promo for the song 'La Seine' by Mathieu 'M' Chedid and Vanessa Paradis.



It was with great pleasure today that I greeted the release of the trailer for 'A Monster In Paris'- a film I storyboarded on for BiboFilms between 2006-2008.  It's a sheer delight to see scenes I drew 5 years ago realized so gloriously en trois dimensions!


I had the time of my life on this project working with a world class team in the south of France. I can't wait for the world to see the final film . . . I'll be blogging more about the film once it's released.


Trailer Un Monstre à Paris (A Monster in Paris) by animatieblog


Tuesday, May 31, 2011

Latest Gesture Class efforts

1 We start with 30 second-1 minute warm up poses.


2 Simply looking for the flow and rhythm of the pose . . .


3 Always pushing the pose while maintaining clarity


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7 Too much emphasis on anatomy in these-


8 Starting to get some acting in here . . .


9 . . . and now some fun stuff!

10 All these were made from the same male model, using his pose as a springboard for character and story.  Two minute poses.
To see it done properly check out these drawings on Alex's blog.  Some even more fun stuff here

Tuesday, May 17, 2011

Exploring & drawing SFO

A selection of recent sketches made around the city.   
The neon facades of SF's 'red light' zone.

The view from the terrasse of the Cafe Zoetrope on Columbus.

Behind the Ferry Building waiting for the Sausalito shuttle.

Cat napping on the Hyde St Pier

The impressive & imposing East Bay Bridge, in its own way just as majestic as the Golden Gate Bridge.

The Palace Of Fine Arts in the Presidio


A mini-sketchcrawl around my neighbourhood Noe Valley yielded these corners of interest.


Funky delapidated little house up on Diamond Heights.

This is how I moved to California! Now on permament display in the Oakland Museum

Thursday, May 05, 2011

Gesture Fun!

The most important thing in Gesture Class is to have FUN! If I get too wrapped up in anatomy and try to capture the 'real' pose the drawings tend to be boring.  However it is possible to go too far in the opposite direction.  Here's a selection of cartoony poses that came out of the last few sessions.

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Alex insists we study the pose for 15 seconds without drawing  and decide what it is exactly we want to draw.  We write down the attitude we have in mind and let that inform the drawing.

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Monday, April 25, 2011

Japan

We're working on a special event at Pixar to contribute to aid relief in Japan. I'll post my effort when that happens but in the meantime here's a drawing I made for the exhibition organised by the London animation community.  It's for sale over on the Animators vs Earthquake blog

 'JapanTown, San Francisco'
A3 Indian Ink & wash on paper

Based on the sketches I made at the SF Sketchcrawl in January.


Tuesday, April 19, 2011

Gesture Class-the struggle continues . . .

I'm starting to absorb Alex and Louis' methods into my approach. It's all about simplifying the anatomy, pushing the pose and imbuing story, attitude and character.  I struggled like hell at first to consider all these aspects with 30 sec- 1 min poses but with sustained practise it's coming-just like learning to drive!

1 One minute warm ups

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3

4 Thirty second warm ups
5  PUSH the pose!
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8  Working from the same model and using the pose as inspiration we look for character and story.