New Year with the Searles

Uli & I had another chance last week to visit Ronald Searle & his wife Monica. As last time we had a splendid lunch in their favourite restaurant then the rest of the afternoon back at their place. Monica kept brewing her strong coffee to counter-act the champagne which Ronald kept pouring!


This time we were privileged to be permitted access to the inner sanctum of chéz Searle. Few are allowed to see his studio & study but his work & sketchbooks were due to be shipped off to the Wilhelm Busch museum in Hanover where his archive is held. Ronald gave us a real treat & let us look at anything we fancied-he really is the most generous 'world's greatest living cartoonist' that I know!


Of course Ronald's collection of his own books is incomparable-he has all editions (plus proof/copy versions)in mint condition. There were several that I'd never even heard of.

Seeing the 'top-shelf' was nirvana for these dedicated Searle fans-a lifetime of sketchbooks! Last time we browsed his Scrooge and Monte-Carlo books but here were the rest-Morocco, Palm Springs, Hawaii, Dublin, Germany-all the original notes & drawings Searle made for the HOLIDAY magazine reportage.


It was all we could do to flip through as many as possible, Searle graciously letting us photograph anything we wanted. Naturally we couldn't get everything-between carrying on the conversation with Ronald and Monica, climbing up & down the step-ladder & the effects of the champagne-it was tough to focus! I'll be putting the rest of the photos up on the Searle blog soon.

Researching Searle I'd struggled to find 'A Step In The Jungle' a documentary made by the BBC in the 70s. Luckily Ronald possesses a copy on VHS and we were able to watch it with him adding commentary-

Monica too has her own collection of her husband's work & was very pleased to share with us her 'Mrs Mole' drawings. A special series of over 40 pictures that Ronald made for her every time she was ill. She would always awake to find another depiction of a day in the life of Mrs Mole- Monica herself in fact-easing the misery of her illness.
It was an honour & very touching to see these personal drawings. They're very charming, lovingly crafted and infused with the Searles devotion to each other.


Once again regretfully it was time to leave the Searles in their cosy little house in deepest Provence. Monica told us the bicycle in Searle's work is symbolic of happiness. With Ronald approaching his 90th birthday in March they're still going strong & the finest people to spend a Saturday afternoon with.

American Odyssey pt.2 On The Road

". . . we were on the edge of the desert, somewhere around Barstow . . ." when we began to wonder exactly whose idea it was to drive to Portland via Vegas! The plan was to head out east for a couple nights in the casinos then north to Portland via Salt Lake City & Twin Falls, Idaho. We'd return to LA through the Redwoods, Napa Valley, San Francisco & Santa Barbara- a 2000 mile round trip, in a week!

Las Vegas is more surreal than I could ever have imagined-nowhere does fabricated over the top decadence like Vegas.
We stayed at a quiet little place off the strip- the sophisticated & understated Hard Rock Hotel!



The casino CCTV must have observed me standing in a corner to make this drawing -I was soon surrounded by 3 burly security men checking what I was noting down in my black book. When they saw I was merely sketching the most senior said "pretty good . . ." and they left me alone.

Vegas to Portland is a long drive-especially if you make a 4 hour detour into the desert to see the Grand Canyon-only to find it 'closed'! The changing landscape we saw across 800 miles was impressive. We stopped in Salt Lake City, Utah-it was freezing there but those Mormons sure keep a nice, clean town. We saw a lot of exotic road-kill along the route and travelling hundreds of miles meant it was only a matter of time before we killed something. Thankfully it wasn't a raccoon or a deer or a bison but a hapless pigeon who met his maker when our radiator grill struck him at 90mph!



Rolling into Portland we instantly fell for this charming city. Despite the rain & mist the town has a relaxed vibe to it that you instantly warm to. The lovely folks at LAIKA had set up a tour of the studio for us-we were gob-smacked by the detail of the sets & puppets for Coraline. Many thanks to Patrick, Chris, Jan, Tony and everyone for making us feel so welcome.



On the way down to San Francisco we took a breath-taking route through the great Redwood Forest and the Avenue of Giants. We also found the 'Chandelier' or 'Drive-thru Tree'-it's 2400 years old!


After that it was on to San Francisco down through the vineyards of the Napa Valley. . .






The steep hills of SanFrancisco give the city a unique character but they're hard work!

Of course while in San Francisco we had to visit PIXAR! I did my Ronald Searle presentation for an appreciative audience & then we were shown around by our welcoming hosts Daniela Strijleva and Ralph Eggleston.


That was the last stop on the tour-we were pretty exhausted after so much travelling & visiting friends & studios. On the last night we relaxed in Haight Ashbury before hitting the road next day back to LA.



Back in LA on the last weekend I hung with my old buddy from Uli's studio Leo. We went down to LACMA- I was keen to see their Picasso collection.


We spent a recreational last day in LA hiking up Griffith Park with Amid Amidi. We toured the observatory before Leo led us up a treacherous route to the summit of mount Hollywood. We braved the threat of rattle-snakes, mountain lions & Amid's moustache to see the incredible view from the top.





The 'Theme Building' restaurant at LAX is currently shrouded in scaffolding while undergoing renovation work. I flew back to the UK on the 7th December after 3 weeks of countless sights & experiences. I saw as much as possible & met more people in that time than in a normal year back home. America was good to us - I'll be back . . .

American Odyssey pt.1 Los Angeles

Demonstration on Hollywood Blvd-sketch made on location below.

I've recently returned from an epic 3 week trip around the west coast of the States. The first week I was in LA to speak at the CTN-X animation conference about Ronald Searle. Then I went on a week long road trip to San Francisco via Portland & Las Vegas! I went with 2 colleagues from Aardman-Kris & Jess. Together we drove over 2000 miles, ingesting 65 burgers, 1600 gallons of fuel, 12 packs of Camel cigarettes, three yard long margheritas & killing one pigeon!


Uli Meyer came to the expo too. He knows LA very well & was a perfect tour guide. First stop- Bob's Big Boy Diner!


Uli, Harald & I toured the Warner Bros. lot where we saw the soundstages & a fake town.



My old pal Leo Sanchez gave me a tour of his workplace-Disney Feature Animation where we ate Thanksgiving lunch, saw 'Princess & the Frog' & met Glen Keane.


The expo was a roaring success & my presentation on Ronald Searle went down well. Later that week we went to a special screening of Don Hahn's documentary on Disney animation during the 90s 'Waking Sleeping Beauty'-a riveting exposé of the 'golden' decade preceding the Lion King.

Colour pics by Uli Meyer. B&W by Jamie Bolio.

I tried not to be a fanboy at the expo but I couldn't resist asking some of my favourite artists to draw in my book



I spent an afternoon at Disney Consumer Products with Stef Kardos. That evening I was honorary guest artist at the French Society of Animation Artists-LA chapter, chez Guenoden.





On our last day in the city Kris took us down to the beautiful beaches of LA. After a relaxing afternoon we hit the road to Vegas . . .

Automne

I just got back from a trip to revisit my old haunts in the south of France. I stayed with my good friend Uli who's living in Nice while working on various projects. He has a great pad above the port-here's the view from the balcony.



We toured around the Riviera sketching along the way. Here are two views of the great walled village St Paul de Vence.




I spent a day in Cannes-outside the high season & the film festival it's quite a quiet, relaxing town.


The Palais des Festivals and the Old Town from the Croisette


A blustery day in St. Tropez


I showed Uli as many of the places that I'd discovered while living in the south as possible. At St.Paul de Vence we visited the Miro exhibition at the Fondation Maeght. In Provence we hot-footed around the citadelle of Les Baux before a whistle-stop tour of the Luberon taking in Gordes, Roussillon & Bonnieux. Off the Vallee du Var we stopped at Gilette, Roquesteron, Sigale, LaPenne and Entrevaux.



Uli only draws at 'magic hour' when the rays of the setting sun flood his apartment, glancing off his spectacles & burning wonderful drawings onto the paper.



In normal daylight he just doesn't know what to do!

Cathedrale d'Images

Whilst motoring around Provence Uli & I visited the impressive Cathedrale d'Images close to Les Baux. The old limestone quarries are these days used as a unique location for special projected 'art shows'. This year's spectacle is based on Picasso's work. It was quite thrilling to see the paintings blown up & projected at such a huge scale. The images were cleverly matched to the facets of the rock face so the cubist work took on a further dimension.

Classical music plays while the images whirl around & dissolve on & off the stone. The Guernica section is nightmarish as elements of the painting:-hands, tormented faces, the horse in agony- surround one 'in' the painting as it all builds to a cacophonous climax.



It's a fascinating location and was used by Cocteau to shoot 'Le Testament d'Orphee' in which Picasso took part.

Atelier Louis

Uli's found the best life drawing class I've ever been to! Local Nice artist Louis Dolle runs regular classes in his tiny studio near to the Russian Cathedral. It's a typically French affair-music is played in the background, the models chat with Louis & the other artists as they pose and wine is served up during the break!



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The model made really interesting poses
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Rapid warm-up poses between 10-20 seconds.
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'Top of the cranium' angles are a challenge to draw.


Again, tricky perspective here-organizing the overlap of the forms was paramount.
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This was fun-we attended a sculpture class just to do more drawing. The model was posed on a turntable so after 2 hours we had a whole 'turnaround' series of studies.
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